wine

Tasting ten years on: South Africa’s 2016 ‘New Wave’ wines

Following last year's inaugural retrospective tasting of South Africa's 'New Wave' wines a decade on, critics gathered again in London to assess wines from the altogether trickier 2016 vintage. Victoria Mason MW discovers that it's a year not to be underestimated

Words by Victoria Mason MW

Samantha O’Keefe made her Lismore Estate Syrah with 50% whole bunches in 2016, maintaining a sense of freshness and tension in a warm vintage

When Mark Dearing and I organised the first ‘Ten Years On’ tasting of South Africa’s New Wave wines in May last year, our hope was that it would become an annual fixture in the London trade calendar, so we were thrilled to host the second edition in May 2026, reviewing the New Wave’s 2016 wines.

While 2015 was a celebrated vintage for the Western Cape and provided an ideal starting point for assessing the ageing potential of the New Wave’s wines in a blind tasting, the 2016 vintage was altogether more challenging; one of those vintages that growers repeatedly and somewhat euphemistically describe as ‘tricky.’ There was therefore some trepidation ahead of this year’s event but for the concept to be credible, we need to taste both the great as well as the less great vintages, just as the ‘Southwold’ and ‘Burgfest’ groups do when assessing Bordeaux and Burgundy respectively.

2016 was one of those vintages that growers repeatedly and somewhat euphemistically describe as ‘tricky’

The key characteristics of the 2016 vintage, to quote from VinPro’s harvest report, were ‘abnormal heat’ and ‘water shortages.’ It was the first of three consecutive years of drought (some say it was the second of four) but it was the year that hit the vines the hardest. Gottfried Mocke of Boekenhoutskloof says that 2016 was the first true climate change vintage for South Africa. Multiple heatwaves, the first in October during flowering and fruit set, resulted in lower bunch weights and smaller berries, with the crop significantly reduced in Stellenbosch and the Swartland compared to 2015; Andrea Mullineux reports yields of just two tons per hectare on their Syrah, for example, compared to four to six tons per hectare in 2015.

Responses at harvest time varied, with some producers opting to pick early to preserve acidity – like Sebastian Beaumont, who made an electric Hope Marguerite Chenin Blanc in 2016 – and others waiting for further ripeness, with some feeling they may have left it too late. With all of this in mind, we aimed to approach the wines without the prejudices that can accompany tasting so-called ‘off’ vintages and were rewarded with some exceptional quality.

Andrea Mullineux reported Syrah yields down by more than 60% in some vineyards; the estate's wines from 2016 impressed

The Syrah flight was my standout of the reds; at this year’s tasting, origins were grouped together, rather than separated into Cape South Coast / Stellenbosch / Swartland, as they were at last year’s tasting. The small berries and resulting high skin-to-juice ratio of the vintage were evident here in wines that were immensely structured – ‘robust’ was a recurring word in my notes – but nevertheless fine. Many still need taming by time, and some of my fellow tasters struggled with the tannin intensity, but if we put these wines in the context of the Northern Rhône greats, then ten years’ old is still young. Tasting from a mix of origins in a single flight gave me the chance to test whether the regional characteristics, so distinct when tasting sighted, are discernible blind. The answer is a resounding ‘yes’, with Reyneke Reserve Red epitomising the perfume, spice and energy we have come to expect from the Polkadraai Hills, and Mullineux Syrah together with Porseleinberg typifying Swartland in their savouriness and structure.

There was not a notable qualitative difference across the board between the 2015 and 2016 vintages

The two flights of white blends from the Cape – one featuring Chenin-led blends and the other featuring blends where Chenin was present but not the dominant variety – shone the brightest of the whites, delivering exciting wines with an inherent vitality, layers of complexity, both in terms of flavour and texture, and no sense of the heat stress of the vintage. A touch of tannin (something we’re often afraid to talk about in whites) – citrus pith, peach skin or an Amaro-like character; a good bitterness and a bit of grip – was a theme of the flights, bringing great balance and a moreish quality to the wines. The discussions following these flights were some of the most stimulating of the day, culminating in the conclusion that multi-varietal blends of Mediterranean grapes were the most successful in this hot, dry vintage. One of the tasters, Fergus Stewart (private client manager at Berry Bros. & Rudd), summarised insightfully when he said that there was ‘something oxymoronic’ in these wines in reference to how they carried breadth and richness while simultaneously exhibiting tension and freshness.

The tasting revealed that the New Wave’s 2016 wines should not be underestimated. Revisiting my notes from last year’s event in the light of this one shows that there was not a notable qualitative difference across the board between 2015 and 2016, which is what I felt instinctively on the day too. While some flights weren’t as compelling as their 2015 counterparts (Bordeaux Single Varietal and Red Blends), others were in fact more convincing (Pinot Noir). Most promising for me was the clear expression of the regional identity of Syrah and the scintillating wines produced when bringing a multitude of different Mediterranean white varieties together with Chenin Blanc.

The 11 flights were: Pinot Noir (seven wines), and Cinsault, Grenache, Tinta Barocca (as single-varietal wines); Mediterranean Red Blends; Syrah (all origins); Bordeaux Single Varietal and Red Blends; Chardonnay; Chenin Blanc (all origins); Chenin-led Cape White Blends; Cape White Blends (where Chenin was not the dominant variety), Sauvignon Blanc/Semillon Single Varietal and White Blends. All 69 wines were opened, put in blind bag and poured by the team at BB&R. If any wines were faulty or not showing their best, we requested a second bottle.

Victoria Mason MW's top 'New Wave' wines from 2016

Producer Name Vintage Region Subregion
BLANKBottle, Moment of Silence 2016
Coastal Region , Wellington
BLANKBottle Moment of Silence 2016 Coastal Region Wellington
Boekenhoutskloof, Semillon 2016
Coastal Region , Franschhoek
Boekenhoutskloof Semillon 2016 Coastal Region Franschhoek
Botanica, The Mary Delany Collection Chenin Blanc 2016
Olifants River , Citrusdal Mountain
Botanica The Mary Delany Collection Chenin Blanc 2016 Olifants River Citrusdal Mountain
DeMorgenzon, Maestro White 2016
Coastal Region , Stellenbosch
DeMorgenzon Maestro White 2016 Coastal Region Stellenbosch
Mullineux, Granite Chenin Blanc 2016
Coastal Region , Swartland
Mullineux Granite Chenin Blanc 2016 Coastal Region Swartland
Porseleinberg, Syrah 2016
Coastal Region , Swartland
Porseleinberg Syrah 2016 Coastal Region Swartland
Reyneke, Reserve Red 2016
Coastal Region , Polkadraai Hills
Reyneke Reserve Red 2016 Coastal Region Polkadraai Hills
Crystallum, Clay Shales Chardonnay 2016
Cape South Coast , Hemel-en-Aarde Ridge
Crystallum Clay Shales Chardonnay 2016 Cape South Coast Hemel-en-Aarde Ridge
Lismore, Reserve Syrah 2016
Cape South Coast , Greyton
Lismore Reserve Syrah 2016 Cape South Coast Greyton
Mullineux, Syrah 2016
Coastal Region , Swartland
Mullineux Syrah 2016 Coastal Region Swartland
Saurwein, Nom Pinot Noir 2016
Cape South Coast , Elandskloof
Saurwein Nom Pinot Noir 2016 Cape South Coast Elandskloof